The Longing of Wayward Girls
Readers Club Guide
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Questions and Topics for Discussion
1. Read the epigraph of the novel aloud. How does it serve to frame the narrative that follows it?
2. Consider the mother-daughter dynamics that are depicted within the novel. How do you think Sadie’s experience of being mothered by Clare impacts how she mothers Sylvia?
3. What do you make of Sadie and Craig’s relationship? Why do you think Sadie is drawn to Ray to begin with, and why does she ultimately return to Craig? Do you believe Ray when he writes to Sadie, “I knew who I had. I knew who you were” (p. 308)?
4. The weight of history—and the sense that it can repeat itself—is felt throughout the novel. As a group, can you brainstorm moments within the novel in which it appears (as Faulkner once famously said) that “the past isn’t dead—it isn’t even past”?
5. Consider the theme of female companionship in the novel. In what ways is it shown to be sustaining—and in what ways can it turn sinister?
6. Both Sadie and Clare are involved with the local theater troupe. What is the difference between this kind of formalized
acting and other forms of role-playing that are depicted throughout the novel? Using examples of each, compare and contrast.
7. Turn to the scene on p. 137 in which Kate shows the neighborhood women the Christmas village she has created in her basement. Why do you think Kate has chosen this hobby? What do you make of Sadie imagining Kate returning the next day to her basement, only to discover that “the mothers and fathers and children in her village will have shifted position, moved into other rooms, other houses, stepped out into their snowy yards to stand together without her intervention” (p. 284)?
8. Think about how fate and free will are juxtaposed in the novel. How could the suitcase that Sadie discovers in the old Filley homestead be seen as emblematic of both—or, put differently, as the perfect melding of destiny and agency?
9. What do you make of Beth as a girl—and later, as a grown woman? In what ways can she and Francie be seen as reflections of each other?
10. Consider the domestic spaces that feature prominently in this novel (basements, perhaps) and those that are rarely shown (for example, kitchens). What kinds of activities are the characters engaged in, in each setting? In terms of tone or atmosphere, how are the scenes that take place indoors different than those that transpire outdoors?
11. As a group, reread the scene in which Clare and Patsy run lines from the Tennessee Williams play, The Night of the Iguana. Given what lies ahead for these characters, how do you interpret these lines?
12. While many of the novel’s characters are guilty of various wrongdoings, do you feel that true malice is at the root of any of their crimes? Are there moments when certain individuals could have acted differently to prevent others from getting hurt? Discuss using specific examples from the text.
13. The Longings of Wayward Girls ends with Sadie describing a recurring dream she has about entering her childhood home and wandering the rooms, looking for her mother: “What did she want to tell her? she’d wonder. Now she knows, and finds she has stopped looking” (p. 311). What answers has Sadie come to by the novel’s conclusion? To what extent do you believe she has made peace with her mother’s memory?
14. Though not a ghost story in the classic sense, The Longings of Wayward Girls is filled with ghosts. Who are they, and how does their presence shape the narrative’s development?
Enhance Your Book Club
1. The summer of 1979 is a transitional summer for Sadie, and though her thirteenth birthday is still a few months off, in her personality and demeanor she arguably “becomes” a teenager during July and August. Did you have a summer that was similarly monumental to your personal development?
2. As a group, watch the 1964 film version of The Night of the Iguana. Imagine Clare (and later, Sadie) playing the role of Hannah Jelkes, here depicted by Deborah Kerr. Does the movie make you think differently about any aspects of The Longings of Wayward Girls?
3. Speaking of movies, pretend that you are casting the film version of The Longings of Wayward Girls. Brainstorm whom you might cast as Sadie, Ray, and Beth. What about Clare, Bea Sidelman, or Kate?
4. As twelve-year-olds, Sadie and Betty play a seemingly harmless prank on another girl—one that sets off a chain of events with disastrous consequences. Looking back on your childhood, did any of your own transgressions initially seem innocuous but ultimately lead to harmful or damaging outcomes?